Light is the material.
Not Bad Lighting is an architectural lighting studio working across restaurants, bars, hotels, homes, landscapes and large installations. We compose light as art with a purpose: made to be felt, and made to be useful.
Studio

Art with a purpose.
Light changes how a place is felt, navigated, used and remembered. It can make a long table intimate, a garden walkable and a facade quietly present at night. We treat it as architecture, not decoration.
The work is equal parts composition and restraint. We decide where light should land, how warm it should be and how much darkness to keep around it, so every space holds a clear hierarchy and a reason to stay.
Angelos Babaloukas

More than thirty years, one material.
Angelos Babaloukas founded Not Bad Lighting on a simple conviction: light is an art, and art in a space should have a purpose.
His work has ranged from intimate dining rooms to major hospitality projects, private homes, landscapes and large installations, and the passion has never dimmed. Every project still starts in the space itself, after dark and pencil in hand, reading what is already there before a single light is added.
- Role
- Founder and visionary
- With light
- More than thirty years
- Practice
- Hospitality, homes, landscapes and installations
What we hold to.
- P.01Principle
Spaces before fixtures
The architecture and the people using it decide where light belongs.
- P.02Principle
Darkness is part of the plan
Contrast gives a space depth, direction and places to rest.
- P.03Principle
Atmosphere has a job
Every glow should guide, reveal, welcome or make a moment more useful.
- P.04Principle
Focus is the final drawing
Aiming and dimming on site turn a specification into a lived atmosphere.
Every kind of space.
- 01
Restaurants and bars
Light that makes a table intimate, a room legible and the night worth staying for.
- 02
Hotels and hospitality
Arrival, lobby, suite, corridor, terrace and landscape composed as one journey.
- 03
Private residences
Quiet interiors and gardens shaped around material, view and the way people live.
- 04
Exteriors and landscape
Paths, planting, water and facades revealed without erasing the darkness around them.
- 05
Installations
Large scale pieces where light itself is the work, made for a single night or to stay.
How a project moves.
- 01
Read
We study the architecture, landscape, materials, daylight and the way people move through the space.
- 02
Compose
We set hierarchy, contrast, warmth and rhythm before choosing any visible hardware.
- 03
Resolve
We coordinate details and controls until the lighting belongs to the architecture.
- 04
Focus
On site, after dark, we aim, dim and refine until the atmosphere is right.